Alita: Battle Angel, directed by Robert Rodriquez, is a post-apocalyptic, dark cyberpunk action thrillride starring Rosa Salazar as Alita. The movie opens in the year 2563, 200 years after a great war between Earth and the Mars colony called ‘The Fall.’ Dr Dyson Ido (the amazing Christoph Waltz) is spare parts hunting in the scrapyard, an area of junk dropped from the floating City of Zalem above, which those on the surface use as materials for their lives in Iron City below, and to make new products, the best of which go back to Zalem through transport tubes. While ‘trash picking’ as it is called, Ido discoveres the deactivated core (head and upper torso) of a female, total replacement (TR) cyborg. Discovering that she is still alive (her human brain is in status within the core) he rushes her back to his clinic and revives her, attaching her to a superbly crafted cybernetic body he had in storage. When she awakens, Ido and his Nurse, Gerhad (Idara Victor), discover that this cyborg can’t remember her past, or her name. Ido gives her the name Alita, which she very gladly accepts, and then takes her around to teach her about the world in which she finds herself. This is the start of Alita’s journey of discovery: of who she is, who she was (through flashbacks in times of crisis) and how she will fit in the often harsh life of Iron City.
Although Alita starts out naive to the harsh realities of Iron City, she’s soon introduced to them, and so discovers the true potential of her absent memories. As she gains glimpses into her past, Alita gains confidence, and the will to take the darkness of Iron City head on. By her side is a young man she meets on her first outing, Hugo (Keean Johnson), who takes it upon himself to ‘show her the ropes,’ his core reasoning being that he believes she fell from Zalem, the one place in all the world he longs to reach. During the movie, he becomes torn between his growing feelings for the titular Alita, and his lifelong desire.
There are also excellent performances by the antagonists of this story, such as Jennifer Connelly as Ido’s estranged wife, Chiren, Ed Skrein as the amoral bounty hunter, Zapan, Jackie Earl Haley as the massive and bloodthirsty TR cyborg, Grewishka, and the critically acclaimed Mahershala Ali (who will be talking over playing the daywalking vampire Blade in an upcoming movie) as the Factory Boss Vector. The performances all feel well-suited to their characters, with possibly the weakest being that of Hugo, however that could be due to Hugo’s treatment in the script, more than what Johnson put into his portrayal.
The worldbuilding is excellent and expansive, for a 2 hour long movie. It has a definite Latino flair, thanks to the story location being Central America, and the leanings of the Director, Robert Rodriguez. The source material for the movie is a Japanese manga (adult comic) that began publication 30 years ago and is still being written today, and the movie feels very respectful to the source. As manga to movie adaptations go, this one is at the top of the list.
This movie is also on the top of several other lists. In the VFX department, it literally shines. The main character, Alita, is fully CGI, as is her mentor, Gelda, in several flashbacks during the narrative. New performance capture rigs were used to gather Rosa Salazar’s stellar performance as Alita, and the the CGI wizards at WETA Digital brought Alita to life, seamlessly melding Rosa’s performance to Alita in 161 scenes. This is the first time a fully CGI main character has been flawlessly integrated into a live action setting. Other cyborg characters were given similar treatment, and significant effort was put into the high quality effects. You can see WETAs own exposé on how the movie was made reality here (link), but only watch it after the movie, as it will spoil somewhat.
The script is also highly refined, with many subtle tells, foreshadowing, and memorable moments. And it would want to be, as the adaptation was begun in the year 2000, and revisited and tweaked over and over until the filming in 2016. The cinematography has both elements of James Cameron’s work, as well as Robert Rodriguez’s exciting action shots, and for a cyberpunk sci-fi action, it really pays off. The score is also a standout, composed by Tom Holkenborg (Junkie XL), it makes every scene ‘feel’ that much more intense. This movie was a labor of love, and it shows. It is beautifully realised all the way to the bone.
However, no movie is perfect. More backstory on the antagonists and Hugo’s need to reach Zalem would have rounded out the story more, and time showing Alita training for the part NASCAR, part deathmatch sport of Motorball would have helped show her skill development. I expect these scenes were cut from the script to get it down from 2.5 hrs to 2 hrs, as budgeting required. Despite this marginal overtriming of the script, Alita: Battle Angel really does have something for everyone. From 9 to 99 years old, the deeply human struggles portrayed in this movie touch everyone who relates to the human condition.
At her core, the character of Alita is an exemplar of someone living their true life. That is, giving unconditionally, fighting all-out for what they believe in, and making mistakes to learn and grow, and owning those mistakes. Alita is a pure force, one untroubled by guilt, doubt, indecision or unjust strictures the society of her time would force upon her. Her ingrained combat senses, her position as an outsider, and her blank slate, are enviable qualities for us everyday people who have so much emotional baggage to carry. If you want a thrill ride with a mature script, great acting, fantastic visuals, and a great score, one that keeps on giving the more times you watch it, I can heartily recommend Alita: Battle Angel as an excellent way to get lost in a dystopian future for a few hours.
Ray Duell (Author of Alita: Fallen Angel, a fan novelization of the greatly desired sequel)